shrimp

Fog Lifting at Two Mile

Here's another shot from the infamous Two Mile Boat Launch in Apalachicola, FL.

This was taken just before sunrise as a layer of fog was lifting.  The fog created a nice ambiance to the scene.  The old shipwrecked, shrimp boat doesn't hurt either. ;)

There isn't much to this shot.  I made it using a borrowed Tamron 15-30mm Lens and a Novoflex lens adapter to adapt Nikon mount to Sony E mount.  I kept my ISO at a low 100.  Using this particular lens adapter, it has it's own apreture blades inside the adapter.  This means it doesnt report an aperture value back to the camera for EXIF...which also means I have no idea what my aperture was.  At 15mm, it really doesn't make a "ton" of difference, anyhow, but I'll guess F/8.  My shutter speed for this shot was 8 seconds.  I also used my Sirui W-2204 Tripod...I don't leave home without it.

ISO 100, 15mm, F/8-ish @ 8 seconds

I also processed this shot using a combination of Lightroom and On1 Perfect Effects.  I have become a huge fan of On1 over the last few years and I'm excited about their upcoming new release!

A Two Mile Sunrise

There is a spot here in Apalachicola that is great to photograph for sunrise and sunset.  It is called Two Mile.  It got it's name because it is 2 miles from the traffic light in town.  Clever, right?  It's hard to give people directions there and tell them it's name without them thinking you are just a wise guy.

Here is a sunrise shot that I took there the other morning.  While there were no clouds to make the sky very interesting, using more of the foreground and a small Aperture, like F/22, gave me a nice starburst on the sun.

ISO 125, 15mm, F/22 @ 1/2 second

I was able to capture this image using the Tamron 15-30mm Lens that I had borrowed from my teaching partner, David Akoubian.  I also had to borrow his Nikon to E mount adapter.  Don't worry though, I had my own camera...the Sony A7Rii.  All mounted a top a fancy new tripod I am trying out, the Sirui W-2204.  It is a waterproof tripod, so it's certainly working out great while out here shooting along the coast!

Power of a RAW file

One of the examples I showed during our processing portion of our workshop in Apalachicola was a single frame snapped at sunrise.  As the sun was cresting the horizon I took one exposure for the sky, so naturally the foreground lost a lot of detail by doing this.

I was using my Sony A7R, which is a 36MP Full Frame Sensor.  I knew I could get away with pulling quite a bit out of the shadows due to the sensor recording all of that information at the point of capture.  To show all of the workshop participants what kind of power the sensor and RAW file had, I walked through a quick processing tutorial on that image.

Here is the RAW file straight out of the camera:

ISO 100, 27mm, F/16, 1/40th second

ISO 100, 27mm, F/16, 1/40th second

Now see how much detail I could get out of the shadows just using Adobe Lightroom?  I could've gotten a lot more even, but I this was as much as I really "wanted".

ISO 100, 27mm. F/16, 1/40th second

ISO 100, 27mm. F/16, 1/40th second

You can see how pretty much everything in the foreground came to life with just a few sliders in Lightroom.  Like I mentioned earlier, I could have pulled more data that this out of the shadows, but doing so really started to look very unnatural to me, so this is where I decided to stop.  Sometimes, I am still amazed at how much data is in the RAW files that come out of this Sony.