More Yellowstone Sunset

Keeping with the theme of the last few posts...

Here's another sunset image I made in Yellowstone.  I was super excited to get these sunset images at Yellowstone.  I had this conversation with more than a handful of people that Yellowstone isn't really a "landscape" park.  Meaning, it's real tough to find a good landscape image there.  The people that had been there, totally agreed, while the folks that hadn't visited the park before couldn't figure out why I would say such a thing.  

The Yellowstone area is a lot of thick forest, which makes things a bit difficult.  The other thing about the park is if you want to include any of the geysers into your image, then you have to work on the geyser's schedule.  Many times that isn't the same as the sun's or yours.  

So, being able to get a few landscape images of sunset in Yellowstone I was super excited.  Here's one of those.

ISO 100, 35mm, F/16 @ 1/10th second

This area was one of the many pools scattered along the Upper Geyser Basin in The Old Faithful area.  I'm not even sure this pool had a name.  It should be called The "this is where I knew sunset was going to be awesome" Pool.

This image was made with my Sony A7R, LA-EA4 Adapter and Tamron 24-70mm Lens.  All mounted a top my Vanguard Alta Pro 283CT Tripod and BBH-200 Ballhead.

Morning Glory

Yesterday I told you about how I got lucky on my way to photograph The Morning Glory Pool in the Upper Geyser Basin of Yellowstone and was able to capture a bonus sunset image.

Well, this is the image I was originally going after:

ISO 100, 24mm, F/16 @ 1 second

While I am happy with this image, I'll take this and another good sunset image on the same day any time I can ;)

This pool is one of my favorites in Yellowstone.  Unfortunately, it's suffering from abuse.  Visitors to the pool have thrown coins, trash and debris into the pool over the years which has blocked the vents of the pool.  When the vents to the pool are blocked the water becomes cooler than normal causing more of the brown algae to thrive and the vibrant blue and green bacteria to die off.

The park service does attempt to clean the pool from time to time in an effort to combat this.  Remember, tossing your penny in might get you a wish, but does long term damage to the pools in the park.

This image was made with my Sony A7R, Sony LA-EA4 Lens Adapter and Tamron 24-70mm Lens.  All of this gear was stabilized using my Vanguard Alta Pro 283CT Tripod and BBH-200 Ballhead.

Sometimes it IS luck

Ok, so sometimes luck plays a very important role in a photographer walking away with a fantastic image or a dud.  You, as a photographer, still need to have the skills to know how to quickly adapt.  You need to be able to quickly setup your tripod, compose properly, adjust your focus, select an aperture, shutter speed, ISO...quickly, without even really "thinking" about it.  Then you can take advantage of the lucky moments.

On my first day in Yellowstone I wrote off sunrise because I got in very later because of travel issues.  My only hope for "magic light" was at sunset.  I put a plan together and took off that evening.  I knew I was going to stay in the Upper Geyser Basin that was near Old Faithful.  I shot Old Faithful at the last eruption that would occur before the sunset.  Then I started making my way down the trail to the Morning Glory Hot Spring, which is about a 1.5 mile walk.  Well, about half way on my journey the cloud cover rolled in and I had pretty much written off any kind of sunset, but I was halfway to my destination and I might as well finish the trip.  In a very lucky moment, as I got to the bridge that crossed The Firehole River, the clouds broke up just enough, the sun dropped below the horizon and lit up all of those clouds that had rolled in and created a pretty magical sunset.  I took a few images and quickly ran to Morning Glory to capture it at sunset.  Well, it was nice, but the reflections coming off of the river with the steam from the nearby geysers made a much stronger image, so after a quick few snaps at Morning Glory, back to the bridge I went.  It seems the longer I waited, the better the color got.  Well, until it gave way to rain.  That's right, rain.  I was 2 miles from my car and it's raining.  In another lucky twist, it only rained for about 15 minutes and not very hard.  I like to think I was being rewarded for suffering a horrible travel day on the previous day. ;)

ISO 100, 35mm, F/16 @ 0.4 seconds

This image was made with my Sony A7R, LA-EA4 Lens Adapter and Tamron 24-70mm Lens.  All gear was mounted on my Vanguard Alta Pro 283CT tripod and BBH-200 Ballhead.

Oyster Boats

Sticking with the Apachicola Theme...

This was a fantastic sunrise morning to be out shooting these oyster boats!  Due to state and federal regulations, the oyster fishermen could only fish Monday-Thursday.  We knew shooting these boats on a Saturday Morning would mean a lot less traffic at the boat ramp and, aside from boats that needed maintenance, the boats would most likely all be docked since they couldn't be out fishing.

ISO 100, 15mm, F/11, 0.5 seonds

ISO 100, 15mm, F/11, 0.5 seonds

This is another image where I used the Tamron 10-24mm Lens on my Sony A7R via the Metabones Adapter.  Since the 10-24mm lens was designed for APS-C sized sensors, 15mm was about as wide as I could get on my full frame without getting some vignetting.

Sailboat Sunrise

Our first morning of the workshop in Apalachicola, FL we went to a place called Two Mile.  Two Mile is a popular boat launch for local fishermen, but it is also a great spot to photograph sunrise and sunset because of a few boats that make great foreground object in both East and West directions.  This morning we had a great one, too!

Although the boats that are mostly photographed there are the old, dilapidated, shrimp boats, I choose to isolate this sailboat during one of the moments that the color was really, really peaking.  

This was shot with my Sony A7R body, a Metabones Lens Adapter and my Tamron 24-70mm F/2.8 Lens.  I also used my Vanguard Abeo Plus 232CT tripod.

ISO 100, 70mm, F/16, 0.4 seconds

ISO 100, 70mm, F/16, 0.4 seconds