The Chapel Of The Transfiguration

This year, our Winter In The Tetons Workshop group didn't experience anywhere near the volume of snow that the area normally gets.  The advantage to that is we could get a lot more places to shoot.  One of those places was The Chapel Of The Transfiguration. 

This little chapel was built in 1925 and still holds Sunday Services in the summertime.  Each chaplain at the church serves for one month each summer.  It is also a popular spot for small weddings.  Let's not forget the view...it has one of the best views of any small church I've ever seen.

Although I have visited the church many times, I haven't photographed it very much.  Inside the church is a tough scene to deal with, exposure wise.  You have a dimly lit church on the inside and a big, bright window that looks out onto the mountains.  There is such a big exposure difference the best way to handle it is to bracket your exposures for HDR.  That is exactly what I did.  I took seven separate exposures to ensure I had detail covered from the brights to the darks.  Then I merged them as a HDR inside Lightroom Classic CC.  After I had the merged HDR photo I decided to process it in black and white.  I really like the feel of it as a black and white, too.

Aperture-priority, f/16, ISO 100, 7 varied exposures

I made this image with my Canon 5D IV and Tamron 28-300mm lens.  Since I shot for HDR I did use my Sirui Tripod and ballhead.

Pemaquid Point Lighthouse

One of the lighthouses along our stop up the coast from Boston to Maine was Pemaquid Point Lighthouse.  We did get to shoot this one around 9:30AM, which wasn't the best light, but not the worst either.

Pemaquid has these rocks in the foreground which make for excellent composition elements.  From the angle I shot this, there was no waves crashing onto the rocks, so I did not want to use a 10 stop ND filter here, since there really was no movement anyways.  I did use a circular polarizer, however to cut some glare off of the foreground rocks and enhance some of the colors.

Aperture Priority, F/16, 1/15th second, ISO 100

When composing This image, I simply wanted to include as much of the foreground rock as I could, so I picked a spot in the rocks that had lines that lead you into the lighthouse and jammed my lens as close to it as I could while laving the lighthouse in the upper third of the frame.  

I created this image with my Canon 5D III, Tamron 15-30mm lens and Vu Filter system.  All resting atop my Sirui W-2204 tripod.