Canon

John Moulton Barn

In Grand Teton National Park resides two of the most photographed barns on the planet.  The T.A. Moulton Barn, which is the most popular of the two, and The John Moulton Barn.  Both of these barns reside in an area known as Mormon Row and they are about a quarter of a mile apart.

The road to get to these barns is closed in the winter, so if you want to visit them, you will need to make a walk of about a mile, however, the walk is well worth the effort.

On this particular day, we hiked out in the dark to make sure we were at The John Moulton Barn before sunrise.  The area hadn't had near as much snow as normal this year, so the hike out was really easy.  It was cold, though, at -1 degrees Fahrenheit.  

Due to the lack of snow, it seemed several other people had been in the area before us.  What that meant was we had a lot of footprints in the snow to deal with.  The best, and easiest, way to deal with them was to get back from the barn a bit, lower your perspective and use the sagebrush to block as much of the footprints as possible. 

Aperture-priority, 0.5 sec, f/11, ISO 100, 24mm

This image was made just before the sun hit the mountain peaks.  The sky gave us a hint of color as the moon was setting.  I believe any morning is a beautiful morning in this area, but spending a morning here with friends, a camera and a sunrise is tough to beat!

Image made with my Canon 5D IV, Tamron 24-70mm Lens and Sirui 3 stop GND Filter.  Gear supported by my Sirui W-2204 Tripod and G-20X Ballhead.

Snake River Overlook

During our visit to The Grand Tetons last week, we were hoping for some great sunrise and sunset opportunities, however, mother nature doesn't always work on your travel schedule.  We did get a at least one decent sunset and sunrise, but there were several days it was all clouds.

This is an image I made at The Snake River Overlook.  The scene from the overlook is one of my favorite scenes in the entire park.  It really doesn't have anything to do with it being famous, either...I just love that scene.

This image was taken about 30 minutes before sunrise and as the moon was setting.  There were clouds that had a lot of promise of lighting up for a gorgeous sunrise, but there were also clouds to the east that did a good job of hiding the sun.  All was not lost, though.  I really like this image with the moon.  The exposure on this was 8 seconds.  Just enough to show a little cloud movement, which is another aspect of this image I like.

Aperture-priority, 8 sec, f/8, ISO 100, 24 mm

This image was made using my Canon 5D IV, Tamron 24-70 G2 Lens and Sirui 2 Stop GND Filter.  I also used my Sirui W-2204 Tripod and G-20X Ballhead for support.

More from the Madison County Nature Trail

This is a follow up post from yesterday's image from The Madison County Nature Trail.  The park is a very popular place in the fall, when the colors are great.  This means it gets photographed a lot.  When I am in a situation like that, I try to look for different and unique perspectives and compositions.

Aperture-priority, 1/40 sec, f/8, ISO 640, Compensation: -2/3, 76 mm

This was taken from very close to the same spot yesterday's image was made.  I stepped a little to the right, got lower and included the foreground foliage with the bridge in the background.  I choose an aperture that would give me a depth of field that would make the foliage stand out from the background.

Image made with my Canon 5D IV and Tamron 28-300mm Lens.  Gear supported by my Sirui Tripod and Ballhead.

Madison County Nature Trail

So, I've been trying my best to chase fall color around for the past few weeks.  I think the best I found was this past weekend, near my house.  There is a very nice area near my house called The Madison County Nature Trail, or some call it The Green Mountain Nature Trail.  The colors there were amazing this past weekend!  Word spread quickly, though and I think every photographer in the area made the trek there.  There were tons of people and photographers when I showed up.  A lot of photographers doing family portraits and other families just enjoying the colors and nice weather.

Aperture-priority, 1/40 sec, f/8, ISO 800, 86 mm

I was there to photograph the colors, and boy were they there!  This little covered bridge is a popular spot in the park.  You will often encounter people having their portraits made around this bridge.  It also makes for a great reflection...especially with these colors.

A few things I like to do when photographing fall colors is to use a circular polarizer and under exposure just a touch.  Using a circular polarizer will not only remove any glare off of foliage but also enhance the colors a bit.  Also, under exposing the image by 1/3 - 2/3 stop will also help to make the colors pop a little more.  It's a good idea to check your histogram to make sure you aren't getting too dark, or losing a lot of shadow detail.  It also never hurts to find a good spot with a reflection!

This image was made using my Canon 5D IV and Tamron 28-300mm Lens.  My gear was supported by my Sirui Tripod and Ballhead.

Water...Of Course!

With all the storm damage in Cades Cove, especially to the trees along Sparks Lane, I was searching out other interesting compositions along Sparks.  

Initially, we had gone down the road a bit and photographed directly down the road in the fog, which was a great scene, but I was still looking for something else.  Then I turned around.  The water from the creek was flowing across the road at a pretty good rate.  Then the sun was trying to break through the fog a bit, too.  I knew I wanted to use the water as a strong point in my composition, so I got down at a low angle and included as much of it as I could.  I adjusted my circular polarizer to knock off the glare from the water, then I set my aperture to F/16 so I could get a long shutter speed to blur the water.  The sun lighting up the right side of the frame a bit was just a bonus.

Aperture-priority, 1.3 sec, f/16, ISO 100, 24 mm

Everything came together for this scene....the fog, the water, the light.  It was a great morning.

Image created with my Canon 5D Mk IV and Tamron 24-70mm Lens.  All supported by my Sirui W-2204 Tripod and K-20x Ballhead.

Smoky Mountains

Last week we held our Smoky Mountains Photography Workshop.  David and I arrived on Wednesday to get a little early shooting in.  We had plans to go to Roaring Fork on Thursday morning...promptly after a sop at The Log Cabin Pancake House, of course.  When we got to Roaring Fork, we realized we were in trouble.  I was getting out of the car every few hundred feet to move limbs and branches.  One time we came across a tree that was big enough we both had to get out and move it.  Then we started seeing the trees bend in half, it seemed.  The winds were howling.  We finally came to a tree blocking the road that was too big to move, so we had to turn around and go out the wrong way.  Once we got out, we notified the park service and by the time we had gotten to the Sugarlands Visitor Center, almost everything within the park was closed due to downed trees.  Our workshop started on Friday morning.  Everything was still closed in the park until late Friday afternoon, and then the only thing opened was Cades Cove and a small portion of the road to Tremont.  We photographed at Tremont Friday evening, then spent the next day and a half in the cove.  Our group was super, though!  They all had a wonderful time, despite our limitations and, from what I've seen, they all got some amazing images!

The landscape of Cades Cove did change a bit.  There were several downed trees and limbs.  The iconic image of Sparks Lane will never be the same.  One of the trees had some massive branches that came down and virtually looks like it's half of what it used to be.

I guess because of having to deal with all of those issues (either that or as my late birthday present), mother nature rewarded us Sunday Morning with a morning full of beautiful foggy scenes.  The fog seemed to last forever and we were able to capture several different subjects in it.  One of my favorite scenes from the fog was this fence line, that I'm certain I've never noticed before.  We were parked along Sparks Lane looking for different shots, since "the shot" was not very appealing anymore, and we found this fence line off the road...and it just looked great in the fog.

Aperture-priority, 0.5 sec, f/16, ISO 100, 31mm

When I composed this scene, I knew I wanted to have a solid anchor for the foreground.  I also knew I wanted to use a fence post for that.  I picked out a nice one, placed it in the scene where I wanted and let the fence line and fog do the rest.

Image made with my Canon 5D Mk IV and Tamron 24-70mm Lens.  I stabilized my gear with a Sirui W-2204 Tripod and Sirui K-20X Ballhead.

I'm Not An Artist

Like the title says, I'm not an artist.  

I've never considered myself to be an artist.  I've never painted anything (but I did watch Bob Ross).  I've never sketched anything.  I'm horrible with sidewalk chalk.  I've never even seen a pottery wheel.  Hell, I can't even draw a straight line with an old school, number 2 pencil.  You want to know what I consider myself?  A regular, overweight guy in his 40's from Alabama.  Well, there's nothing too special about that, you say.  You are right.  I'm just that.  

I do not delve deep into my connection with the arts to explain a photo I took, or justify why it is fabulous.  I don't include some strange quote, that the person being quoted probably doesn't even understand, with an image to help you connect to it.  I do not have any magical connection with the rock, or stream, or mountains.  I am not responsible for creating any kind of "magic" light at sunrise or sunset.  I simply put myself in a place at those times and what happens happens.  It's always great to see another one, I'll tell you that.  I am only hoping to create an image I like, and hopefully others will, too.

Despite being from an IT background, when it comes to cameras, I'm about as technical as an animal...you can pick the animal.  I think they are pretty much all on a level playing field technologically.  If you've ever heard one of my talks, or been to a class, you've probably heard words like "dumaflachy" or "do-dad".  If you got real lucky you may have even heard "dohickey".  

I first picked up a "real" camera about 10 years ago.  It was, at that point, I immersed myself in every piece of literature, every video (we still had these weird DVD things back then), every piece of online content I could find concerning photography.   I could care less about the super technicals...or the mechanicals.  I just wanted to know the basics of exposure and what creative controls I had.  I quickly learned about the exposure triangle, I learned how things like your aperture selection could help you tell a story.  I learned how shutter speed effects an image and can give it different feelings.  I also learned that there is usually more than one way to get somewhere, you just have to find the way that works the best for you.  I skipped the parts about learning how many millimeters the opening is at aperture F/8 of a certain lens (yes, I've been asked that).  I also skipped the parts about the processes of sensor production.   I simply wanted to take a nice photo and know how to repeat that process.  If you are new to this, my advice to you is do not get caught up in the technicals.  It will frustrate you, unless you are an engineer.  If you are an engineer, then dive deep into the technicals.  The point is knowing how many millimeters the opening is at F/8 on your lens is never going to help you.  Ever.

I am very grateful to photography.  It has allowed me to see and appreciate many things in this world I never knew existed.  When I was growing up, my family never went on vacation to The Grand Canyon or Mount Rushmore.  Our "vacations" were to the Dairy Queen and then we continued onto Guntersville Lake.  They lasted the afternoon and then we were back home.  I never knew a world outside of the state I lived in.  Photography has allowed me to see phenomenal scenes all across this great country of ours.  It's allowed me to make some great friends, too.  Seeing these things makes me want my children to see them.  I want them to know how things outside of Huntsville, AL look and feel.

The whole point of this post was just to tell you how incredibly ordinary I am and I'll not try to be somebody that I am not.  I wanted to capture good sports shots of my son when he was growing up, so I bought a camera.  Next I learned how to operate it, which some may argue I still haven't learned.  Then I wanted to shoot waterfalls, and wildlife, and mountains, and flowers, and birds....

If this average, overweight, forty-something, donut loving, nontechnical ginger can figure this whole thing out....So.  Can.  You.  Don't be discouraged or intimidated.  Don't be afraid to take a short class, or workshop (with anyone...not just me, although that would be kinda great).

I guess I should share an image now, right?

Aperture-priority, 4 sec, f/16, ISO 100, Compensation: -1/3, 24 mm

This is an image I went back and re-processed from Portland Head Light in Portland, ME.  If you hover over the image with your mouse, you will see my camera settings, or metadata, for this shot.  I always try to include this information for a few reasons.  First, if I don't then it's the first question I get asked.  Second, was part of my initial learning process.  Many people will tell you that metadata is pointless because you would need to be in that exact same light and conditions in order for you to be able to use it and recreate the image.  I could not agree with that more, however, when I was first learning, I would look at this information and see what the shutter speed was and what effect it had on the image.  I would look at the aperture someone choose and see how it effected depth of field.  So, even though I knew I would most likely never be in those exact same conditions or light, I was still using the metadata to learn about photography.  Hopefully, my sharing this information helps you learn a little, too.

Image made with my Canon 5D III and Tamron SP 24-70mm F/2.8 Di VC USD (A007) Lens.  My equipment was steadied by my Sirui W-2204 waterproof, carbon fiber tripod and K-20 Ballhead.

Portland Head Light Sunset

On our first day in Maine we stopped at The Portland Head Light to shoot sunset.  We ended up staying in Portland for the night and shot it again the next morning, too.  When capturing the sunset images I decided to walk to the opposite side of the lighthouse and see if there was anything interesting from there.  

I did find several small pools that had reflections of the lighthouse, which I may share later, but I also was able to get down right on the water.  This allowed me to capture the movement of the waves coming in and out in the foreground.

Aperture Priority, F/22, 1/2 second, ISO 100

It was still fairly bright, but I knew I wanted to get as long a shutter speed as I could so I set my aperture to F/22 and my ISO at 100.  This gave me a shutter speed of 1/2 second. That was just long enough to show movement in the waves that I was looking for.

I made this image with my Canon 5D III and Tamron 24-70 Lens.  I also used my Sirui W-2204 tripod with K-20 Ballhead. 

Marshall Point Light

One of the lighthouses on our list to stop at was Marshall Point Light.  Not because it was overly beautiful or picturesque, but because it was in Forrest Gump, of course!

Marshall Point Light was in the movie Forrest Gump.  It was in the scene where Forest ran across the country.  When he ran from one ocean to another, he ended up at Marshall Point Light.

Due to our schedule we had to shoot it during the middle of the day, with not the best light.  So, I was looking for a way to present it that you don't normally see it  while trying to make the best of the light we had.

Aperture Priority, F/16, 1/125th, ISO 100, 15mm Exposure Compensation +1

Here's one of the shots I came up with.  It's from the "back" side of the walkway looking back into the sun.   I used the handrail of the walkway to diffract the sunlight in order to get the sun star.

I used my Canon 5D III and Tamron 15-30 for this shot at 15mm.  I choose F/16 as an aperture to help enhance the sun star.  Then, since I was shooting directly into the sun, I set my exposure compensation to +1.  This allowed me to get detail in the foreground and lighthouse.  If I hadn't adjusted my EC, the image out of the camera would have had very little detail in the foreground, almost a silhouette.  

Canon 5 D Mk III, Tamron 15-30, Sirui W-2204 Tripod and Sirui K-30 Ballhead

 

 

Macro Monday

I've been keeping an eye out on my "birding" area in the backyard.  While I haven't seen many birds at all this summer, it has turned into a bit of a butterfly hot spot.  

Probably three months ago I planted several butterfly "attracting" plants.  I started with a Butterfly Bush, added some Brown and Green Fennel, some Parsley and finally some Milkweed.  The butterflies are attracted to the Butterfly Bush, Parsley and Milkweed because they enjoy eating it.  The Fennel they use to lay eggs in.  Eggs turn into caterpillars and another photo op. ;)

I was out taking care of some things in the area this past weekend and noticed a new batch of Black Swallowtail Caterpillars had hatched, then noticed all kinds of butterflies everywhere.  The light was also cloudy and soft, so I grabbed my camera with Macro lens and went back out to spend some time with them.

I did something I rarely ever do when I am shooting macro...I shot handheld.  These guys were OK with me getting very close to them, but they moved frequently and trying to chase them with a tripod was not going to work out well.  I just kept an eye on my shutter speed and made sure I turned on the VC on my Tamron SP 90mm F/2.8 Di Macro 1:1 VC USD Lens.  Those two things in conjunction worked really well and allowed me to hand hold for these shots.

Aperture Priority, 1/100th second, F/8, ISO 200, Exposure Compensation +1/3

I believe this is a Gulf Fritillary Butterfly feeding on Milkweed.  

There are a lot of "butterfly on flower" photographs, and some of them are really, really good, but I  really wanted to see how close I could get to these guys with my macro lens.  Not only did the Tamron lens allow that, but the VC helped my create this image, too....oh yeah, and the thing is sharp!

Image made with Canon 5D Mk III and Tamron 90mm Macro.